Great Advice That I've Learned from Other Authors on My Writing Journey

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I am extremely grateful for all the authors who have shared their ideas, advice, and successes with me through the years. It is so helpful as you begin or move along your writing journey. Here are some key items that I’ve learned.

When I’m working on a new novel, I plot out a simple outline. I learned from Donna Andrews to color-code the different kinds of action in your outline, so you can see it over the course of the book. For example, I mark all romantic elements with pink, humorous items are orange, clues are green, etc.

I learned from Mary Burton to keep a running list of over-used words. Add to it as you write, and then at the end of each revision cycle, search your document and remove the culprits. She also calls your first draft the “sloppy copy.” This isn’t “the end” of your project. It’s the beginning of the revision cycle.

I learned from the late Kathy Mix to keep a list of character names for each book. Her rule was to name each character with a different letter of the alphabet. If she already had a Krissy, then she couldn’t have another character whose first name started with a “K.” I build a chart of characters for my books in a series. I create a column for each book and update where the characters appear. I also create a list of key locations. I enter all the important facts, so I can keep track of the details.

Mary Miley gave me some great advice about honing dialogue. She recommends cutting out the unnecessary pleasantries and chitchat that don’t move your story forward.

Elaine Viets said to know your genre and who is publishing in it. Do your research and know the conventions.

Lynda Bishop, my long-term editor, recommends that authors keep a timeline for each book to make sure all events are in order and make sense. This helps with pacing.

In one of her talks, Tina Glasneck told the group to create a calendar for each book launch. Mine starts three months before the launch and runs three months after. Plan all events, interviews, blogs, and media campaigns.

Jane Friedman tells writers that their platform grows from their body of work. An author’s website and blog should be at the center of this. Also, the website and blog should be on the same site.

Frances Aylor and Alan Orloff gave me the best advice for writing. Butt glue (Frances) or BICFOK (Alan). They’re essentially the same. If you want to be a writer, put your Butt in the Chair and Fingers on the Keyboard.

What would you add to my list?

16 Things I Learned about Writing from the Fabulous Elaine Viets

l-r: Mary Burton, Maggie King, Kristin Kisska, Elaine Viets, Me, J. A. Chalkley

l-r: Mary Burton, Maggie King, Kristin Kisska, Elaine Viets, Me, J. A. Chalkley

I had the pleasure of attending a presentation on forensics and plotting for writers by Elaine Viets recently. Here’s what I learned from her:

  1. Writing is a business.

  2. Know your competition. Read others’ works.

  3. Know your genre/subgenre. Do you write thrillers, cozies, police procedurals, etc.? Know where your book fits.

  4. Look at the major mystery awards and see who is nominated in “Best New First Novel.” Read them.

  5. Make sure that you do your research first before you start writing. Facts do matter.

  6. Decide up front on what point of view you’re going to use (e.g. first, third, omniscient). Third person tends to be more popular in mysteries.

  7. Avoid writing in multiple point of views.

  8. Decide if you’re writing a stand-alone or a series. If you’re doing a series, don’t kill off characters that you’ll need later.

  9. Everything in your novel should move the plot forward. If it doesn’t, cut it.

  10. Proofread your work. Don’t submit anything with grammatical errors or typos.

  11. If you write about an amateur sleuth, make sure that she has a solid reason for solving the crime. It shouldn’t be because the police are bumbling.

  12. You need to think about what makes your book different from all the others out there.

  13. Something has to happen in the first chapter. You need action. Don’t talk about the setting or the weather.

  14. Make sure that your plot keeps moving in the middle of the book. You don’t want a saggy middle.

  15. Readers like plot twists and surprises.

  16. Don’t include a scene unless it tells the reader about the character or moves the story forward.

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